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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Wexner Center for the Arts in Columbus, United States
Wexner Center for the Arts

1989 · Columbus, Columbus, United States

Wexner Center for the Arts image

Contemporary art, Ohio State University

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Wexner Center for the Arts

Columbus, Columbus, United States · Exact work coordinates

OpenStreetMap
Field
Wexner Center for the ArtsWexner Center for the Arts

1989 · Columbus, Columbus, United States

Christian de PortzamparcChristian de Portzamparc

1980 · Paris, Ile-de-France, France

Typeworkbureau
Year / years19891980
PlaceColumbus, Columbus, United StatesParis, Ile-de-France, France
Place contextColumbus, Columbus, United StatesRepresentative site: Nanterre, Nanterre, France
Climate7°C · 13.5h daylight · 13 km/h wind8°C · 14.0h daylight · 7 km/h wind · via Tour Granite
FocusEducation building9 works in corpus
Architects
  • Peter Eisenman
  • Christian de Portzamparc
Linked context

Bureaus

  • Eisenman Architects

Notable works

  • Tour Granite
  • Musée Hergé
  • Cidade das Artes
  • Paris La Défense Arena
Typologies
  • education
  • campus building
  • office
  • museum
  • building
  • tower
  • hospitality
  • landscape
  • house
  • library
Materials

Not recorded yet.

  • stone
Carbon signals

education and campus building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityAccess not recorded3 of 3 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.