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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Jinju National Museum

1984 · Jinju, South Gyeongsang, South Korea

Jinju, South Gyeongsang, South Korea

10°C · 13.3h daylight · 4 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Jinju National Museum

Jinju, South Gyeongsang, South Korea · Exact work coordinates

OpenStreetMap

Jinju National Museum

Image 1

Jinju, South Gyeongsang, South Korea

Climate: 10°C · 13.3h daylight · 4 km/h wind

Mapping: Exact work coordinates

Field
Jinju National Museum

1984 · Jinju, South Gyeongsang, South Korea

Charles Correa AssociatesCharles Correa Associates

1958 · Mumbai, Maharashtra, India

Typeworkbureau
Year / years19841958
PlaceJinju, South Gyeongsang, South KoreaMumbai, Maharashtra, India
Place contextJinju, South Gyeongsang, South KoreaRepresentative site: Pathanamthitta district, Pathanamthitta district, India
Climate10°C · 13.3h daylight · 4 km/h wind26°C · 12.4h daylight · 4 km/h wind · via St. Peter and St. Paul's Church, Parumala
FocusMuseum12 works in corpus
Architects
  • Kim Swoo-geun
  • Charles Correa
Linked context

Bureaus

  • SPACE Group of Korea

Notable works

  • St. Peter and St. Paul's Church, Parumala
  • Sabarmati Ashram
  • Gandhi Smarak Sangrahalaya
  • Sardar Vallabhbhai Patel Stadium, Navrangpura
Typologies
  • museum
  • cultural building
  • church
  • sacred space
  • building
  • museum
  • cultural building
  • stadium
  • sports building
  • arts center
Materials

Not recorded yet.

  • brick
  • concrete
  • sandstone
  • stone
  • glass
Carbon signals

museum and cultural building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Brick, and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Brick
  • Glass
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible9 of 9 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.