| Type | work | bureau |
|---|
| Year / years | 1964 | Unrecorded |
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| Place | Sekiguchi, Sekiguchi, Japan | Athens, Attica, Greece |
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| Place context | Sekiguchi, Sekiguchi, Japan | Representative site: Athens, Attica, Greece |
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| Climate | 12°C · 13.3h daylight · 4 km/h wind | 16°C · 13.3h daylight · 1 km/h wind · via Acropolis Museum |
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| Focus | Sacred building | 3 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Acropolis Museum
- New Acropolis Museum
- Railway Footbridge at Roche-sur-Yon / Bernard Tschumi Architects + HDA
|
|---|
| Typologies | | - museum
- archaeology museum
- cultural building
- cultural
- museums exhibit
- museums and libraries
- infrastructure
- bridges
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | cathedral and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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