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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay
Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

OpenStreetMap
Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Atelier Peter Zumthor

1979 · Haldenstein, Graubunden, Switzerland

Typeworkbureau
Year / years19301979
PlaceMontevideo, Montevideo Department, UruguayHaldenstein, Graubunden, Switzerland
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Vals, Graubunden, Switzerland
Climate19°C · 11.0h daylight · 20 km/h wind2°C · 13.9h daylight · 4 km/h wind · via Therme Vals
FocusHouse museum2 works in corpus
Architects
  • Julio Vilamajo
  • Peter Zumthor
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Therme Vals
  • Bruder Klaus Field Chapel
Typologies
  • house
  • museum
  • residence
  • bathhouse
  • hospitality
  • landscape
  • chapel
  • religious building
Materials
  • masonry
  • stucco
  • timber
  • quartzite
  • concrete
  • water
  • rammed concrete
  • timber
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Concrete, Concrete, and Quartzite look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Concrete
  • Quartzite
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.