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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Jazz at Lincoln Center in Manhattan, United States
Jazz at Lincoln Center

1991 · Manhattan, Manhattan, United States

Jazz at Lincoln Center image

Image associated with Jazz at Lincoln Center.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Jazz at Lincoln Center

Manhattan, Manhattan, United States · Exact work coordinates

OpenStreetMap
Field
Jazz at Lincoln CenterJazz at Lincoln Center

1991 · Manhattan, Manhattan, United States

Atelier Peter Zumthor

1979 · Haldenstein, Graubunden, Switzerland

Typeworkbureau
Year / years19911979
PlaceManhattan, Manhattan, United StatesHaldenstein, Graubunden, Switzerland
Place contextManhattan, Manhattan, United StatesRepresentative site: Vals, Graubunden, Switzerland
Climate8°C · 13.5h daylight · 16 km/h wind5°C · 13.9h daylight · 4 km/h wind · via Therme Vals
FocusEducation building2 works in corpus
Architects
  • Rafael Vinoly
  • Peter Zumthor
Linked context

Bureaus

  • Rafael Vinoly Architects

Notable works

  • Therme Vals
  • Bruder Klaus Field Chapel
Typologies
  • education
  • performance venue
  • bathhouse
  • hospitality
  • landscape
  • chapel
  • religious building
Materials

Not recorded yet.

  • quartzite
  • concrete
  • water
  • rammed concrete
  • timber
Carbon signals

education and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Concrete, and Quartzite look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Concrete
  • Quartzite
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.