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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Museum of Islamic Art in Doha, Qatar
Museum of Islamic Art, Doha

2008 · Doha, Ad-Dawhah, Qatar

Museum of Islamic Art, Doha image

Seed wave 64 image for the Museum of Islamic Art in Doha.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Museum of Islamic Art, Doha

Doha, Ad-Dawhah, Qatar · Exact work coordinates

OpenStreetMap
Field
Museum of Islamic Art, DohaMuseum of Islamic Art, Doha

2008 · Doha, Ad-Dawhah, Qatar

Atelier Perret FreresAtelier Perret Freres

1905 · Paris, Ile-de-France, France

Typeworkbureau
Year / years20081905
PlaceDoha, Ad-Dawhah, QatarParis, Ile-de-France, France
Place contextDoha, Ad-Dawhah, QatarRepresentative site: Quartier des Champs-Élysées, Quartier des Champs-Élysées, France
Climate30°C · 12.9h daylight · 14 km/h wind16°C · 14.0h daylight · 14 km/h wind · via Théâtre des Champs-Élysées
FocusMuseum10 works in corpus
Architects
  • I. M. Pei
  • Auguste Perret
Linked context

Bureaus

  • I. M. Pei & Partners

Notable works

  • Théâtre des Champs-Élysées
  • Église Notre-Dame du Raincy
  • Perret tower (Grenoble)
  • Chapelle du Rosaire de Vence
Typologies
  • museum
  • cultural building
  • waterfront architecture
  • building
  • church
  • sacred space
  • tower
  • landscape
  • chapel
  • housing
  • memorial
Materials
  • limestone
  • glass
  • concrete
Carbon signals

Glass and Stone look like the main embodied-carbon drivers in the current palette.

  • Glass
  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.