| Type | work | bureau |
|---|
| Year / years | 1979 | 1905 |
|---|
| Place | Los Angeles, Los Angeles, United States | Paris, Ile-de-France, France |
|---|
| Place context | Los Angeles, Los Angeles, United States | Representative site: Quartier des Champs-Élysées, Quartier des Champs-Élysées, France |
|---|
| Climate | 24°C · 13.2h daylight · 17 km/h wind | 12°C · 13.9h daylight · 13 km/h wind · via Théâtre des Champs-Élysées |
|---|
| Focus | Museum | 10 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Arata Isozaki & Associates
| Notable works - Théâtre des Champs-Élysées
- Église Notre-Dame du Raincy
- Perret tower (Grenoble)
- Chapelle du Rosaire de Vence
|
|---|
| Typologies | | - building
- church
- sacred space
- tower
- landscape
- chapel
- housing
- memorial
|
|---|
| Materials | | |
|---|
| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Publicly accessible | 4 of 4 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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