saved.archi

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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Asakusa Culture Tourist Information Center

Tokyo, Tokyo, Japan · Exact work coordinates

OpenStreetMap
Field
Atelier Perret FreresAtelier Perret Freres

1905 · Paris, Ile-de-France, France

Typeworkbureau
Year / years20121905
PlaceTokyo, Tokyo, JapanParis, Ile-de-France, France
Place contextTokyo, Tokyo, JapanRepresentative site: Quartier des Champs-Élysées, Quartier des Champs-Élysées, France
Climate13°C · 13.3h daylight · 4 km/h wind12°C · 13.9h daylight · 13 km/h wind · via Théâtre des Champs-Élysées
FocusTourist information center10 works in corpus
Architects
  • Kengo Kuma
  • Auguste Perret
Linked context

Bureaus

  • Kengo Kuma & Associates

Notable works

  • Théâtre des Champs-Élysées
  • Église Notre-Dame du Raincy
  • Perret tower (Grenoble)
  • Chapelle du Rosaire de Vence
Typologies
  • civic building
  • tourism infrastructure
  • urban infill
  • building
  • church
  • sacred space
  • tower
  • landscape
  • chapel
  • housing
  • memorial
Materials
  • wood
  • glass
  • steel
  • concrete
Carbon signals

Steel and Glass look like the main embodied-carbon drivers in the current palette.

  • Steel
  • Glass

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

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