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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Arnstein ArnebergArnstein Arneberg

1910-1961 · Oslo, Oslo, Norway

Typeworkbureau
Year / years19301910-1961
PlaceMontevideo, Montevideo Department, UruguayOslo, Oslo, Norway
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Dovre Municipality, Dovre Municipality, Norway
Climate19°C · 11.0h daylight · 13 km/h wind-1°C · 15.5h daylight · 2 km/h wind · via Dovre Station
FocusHouse museum13 works in corpus
Architects
  • Julio Vilamajo
  • Arnstein Arneberg
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Dovre Station
  • Bjerkvik Church
  • Viking Ship Museum (Oslo)
  • Oslo City Hall
Typologies
  • house
  • museum
  • residence
  • building
  • church
  • sacred space
  • museum
  • education
  • campus building
  • house
  • civic building
Materials
  • masonry
  • stucco
  • timber
  • concrete
  • brick
  • stone
  • timber
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Concrete, Brick, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Brick
  • Stone
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible11 of 11 recorded works are publicly accessible
Related books

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