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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Onagawa Station in Onagawa, Japan

Hero image

Onagawa Station

1939 · Onagawa, Onagawa, Japan

Onagawa Station image

Railway station in Onagawa, Miyagi Prefecture, Japan

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Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Onagawa Station

Onagawa, Onagawa, Japan · Exact work coordinates

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Comparison

Field
Onagawa StationOnagawa Station

1939 · Onagawa, Onagawa, Japan

Arnstein ArnebergArnstein Arneberg

1910-1961 · Oslo, Oslo, Norway

Typeworkbureau
Year / years19391910-1961
PlaceOnagawa, Onagawa, JapanOslo, Oslo, Norway
Place contextOnagawa, Onagawa, JapanRepresentative site: Dovre Municipality, Dovre Municipality, Norway
Climate10°C · 13.4h daylight · 5 km/h wind4°C · 15.2h daylight · 8 km/h wind · via Dovre Station
FocusPerformance venue13 works in corpus
Architects
  • Shigeru Ban
  • Arnstein Arneberg
Linked context

Bureaus

  • Shigeru Ban Architects

Notable works

  • Dovre Station
  • Bjerkvik Church
  • Viking Ship Museum (Oslo)
  • Oslo City Hall
Typologies
  • performance venue
  • building
  • church
  • sacred space
  • museum
  • education
  • campus building
  • house
  • civic building
Materials

Not recorded yet.

  • concrete
  • brick
  • stone
  • timber
Carbon signals

performance venue gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Brick, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Brick
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible11 of 11 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.