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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

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Image 1

Oslo Opera House

2008 · Oslo, Oslo, Norway

Oslo, Oslo, Norway

13°C · 15.1h daylight · 8 km/h wind

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Oslo Opera House

Oslo, Oslo, Norway · Exact work coordinates

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Focused slot

Oslo Opera House

Image 1

Oslo, Oslo, Norway

Climate: 13°C · 15.1h daylight · 8 km/h wind

Mapping: Exact work coordinates

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Comparison

Field
Oslo Opera House

2008 · Oslo, Oslo, Norway

Arne JacobsenArne Jacobsen

1927-1971 · Copenhagen, Capital Region of Denmark, Denmark

Typeworkbureau
Year / years20081927-1971
PlaceOslo, Oslo, NorwayCopenhagen, Capital Region of Denmark, Denmark
Place contextOslo, Oslo, NorwayRepresentative site: Gentofte Municipality, Gentofte Municipality, Denmark
Climate13°C · 15.1h daylight · 8 km/h wind10°C · 14.6h daylight · 10 km/h wind · via Rothenborg House
FocusOpera house12 works in corpus
Architects
  • Kjetil Trædal Thorsen
  • Arne Jacobsen
Linked context

Bureaus

  • Snøhetta

Notable works

  • Rothenborg House
  • Bellavista housing estate
  • Bellevue Teatret
  • Skovshoved Petrol Station
Typologies
  • performance venue
  • civic building
  • opera house
  • house
  • housing
  • performance venue
  • theatre
  • office
  • civic building
  • city hall
  • building
Materials
  • marble
  • glass
  • concrete
  • concrete
  • brick
  • steel
  • glass
Carbon signals

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone

Concrete, Steel, and Brick look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Steel
  • Brick
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

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