| Type | work | bureau |
|---|
| Year / years | 1975 | 1963 |
|---|
| Place | Sant Just Desvern, Catalonia, Spain | Tokyo, Tokyo, Japan |
|---|
| Place context | Sant Just Desvern, Catalonia, Spain | Representative site: Changsha, Changsha, People's Republic of China |
|---|
| Climate | 22°C · 13.5h daylight · 15 km/h wind | 14°C · 13.0h daylight · 18 km/h wind · via Hunan Museum |
|---|
| Focus | Housing complex | 20 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Ricardo Bofill Taller de Arquitectura
| Notable works - Hunan Museum
- Bass Museum
- The Museum of Modern Art, Gunma
- Museum of Contemporary Art, Los Angeles
|
|---|
| Typologies | - housing
- residential complex
- collective housing
| - museum
- landscape
- performance venue
- building
- gallery
- tower
- house
- office
|
|---|
| Materials | - concrete
- ceramic
- painted stucco
| |
|---|
| Carbon signals | Concrete, Ceramic, and Painted Stucco look like the main embodied-carbon drivers in the current palette. - Concrete
- Ceramic
- Painted Stucco
| The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Private or restricted | 13 of 13 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|