| Type | work | bureau |
|---|
| Year / years | 1996 | 1963 |
|---|
| Place | Vals, Graubunden, Switzerland | Tokyo, Tokyo, Japan |
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| Place context | Vals, Graubunden, Switzerland | Representative site: Changsha, Changsha, People's Republic of China |
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| Climate | 5°C · 13.9h daylight · 5 km/h wind | 13°C · 13.0h daylight · 18 km/h wind · via Hunan Museum |
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| Focus | Thermal baths | 20 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Hunan Museum
- Bass Museum
- The Museum of Modern Art, Gunma
- Museum of Contemporary Art, Los Angeles
|
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| Typologies | - bathhouse
- hospitality
- landscape
| - museum
- landscape
- performance venue
- building
- gallery
- tower
- house
- office
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete, Quartzite, and Water look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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