| Type | work | bureau |
|---|
| Year / years | 2010 | 1963 |
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| Place | Lausanne, Vaud, Switzerland | Tokyo, Tokyo, Japan |
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| Place context | Lausanne, Vaud, Switzerland | Representative site: Changsha, Changsha, People's Republic of China |
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| Climate | 12°C · 13.8h daylight · 5 km/h wind | 16°C · 13.0h daylight · 22 km/h wind · via Hunan Museum |
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| Focus | University learning center | 20 works in corpus |
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| Architects | - Kazuyo Sejima
- Ryue Nishizawa
| |
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| Linked context | Bureaus | Notable works - Hunan Museum
- Bass Museum
- The Museum of Modern Art, Gunma
- Museum of Contemporary Art, Los Angeles
|
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| Typologies | - university building
- learning center
- academic building
| - museum
- landscape
- performance venue
- building
- gallery
- tower
- house
- office
|
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| Materials | | |
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| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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