| Type | work | bureau |
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| Year / years | 2007 | 1963 |
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| Place | Gavorrano, Gavorrano, Italy | Tokyo, Tokyo, Japan |
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| Place context | Gavorrano, Gavorrano, Italy | Representative site: Changsha, Changsha, People's Republic of China |
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| Climate | 10°C · 13.6h daylight · 3 km/h wind | 19°C · 13.0h daylight · 23 km/h wind · via Hunan Museum |
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| Focus | Museum | 20 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Renzo Piano Building Workshop
| Notable works - Hunan Museum
- Bass Museum
- The Museum of Modern Art, Gunma
- Museum of Contemporary Art, Los Angeles
|
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| Typologies | - museum
- house
- cathedral
- sacred space
| - museum
- landscape
- performance venue
- building
- gallery
- tower
- house
- office
|
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| Materials | Not recorded yet. | |
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| Carbon signals | museum, house, cathedral, and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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