| Type | work | bureau |
|---|
| Year / years | 1190 | 1963 |
|---|
| Place | 1st arrondissement of Paris, 1st arrondissement of Paris, France | Tokyo, Tokyo, Japan |
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| Place context | 1st arrondissement of Paris, 1st arrondissement of Paris, France | Representative site: Changsha, Changsha, People's Republic of China |
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| Climate | 16°C · 13.9h daylight · 10 km/h wind | 26°C · 12.9h daylight · 2 km/h wind · via Hunan Museum |
|---|
| Focus | Museum | 20 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Hunan Museum
- Bass Museum
- The Museum of Modern Art, Gunma
- Museum of Contemporary Art, Los Angeles
|
|---|
| Typologies | - museum
- church
- sacred space
- landscape
| - museum
- landscape
- performance venue
- building
- gallery
- tower
- house
- office
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum, church, sacred space, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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