| Type | work | bureau |
|---|
| Year / years | 1877 | 1963 |
|---|
| Place | Dreta de l'Eixample, Dreta de l'Eixample, Spain | Tokyo, Tokyo, Japan |
|---|
| Place context | Passeig de Gràcia (lateral Llobregat), l'Eixample, Barcelona, Catalunya, España | Representative site: 东风路, 清水塘街道, 开福区, 湖南省, 中国 |
|---|
| Climate | 17°C · 13.2h daylight · 17 km/h wind | 18°C · 12.8h daylight · 9 km/h wind · via Hunan Museum |
|---|
| Focus | House | 16 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Hunan Museum
- Bass Museum
- The Museum of Modern Art, Gunma
- Museum of Contemporary Art, Los Angeles
|
|---|
| Typologies | | - museum
- landscape
- performance venue
- building
- gallery
- tower
- house
- office
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | house gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Access not recorded | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|