| Type | work | bureau |
|---|
| Year / years | 1985 | 1963 |
|---|
| Place | Manhattan, Manhattan, United States | Tokyo, Tokyo, Japan |
|---|
| Place context | Manhattan, Manhattan, United States | Representative site: Changsha, Changsha, People's Republic of China |
|---|
| Climate | 5°C · 13.5h daylight · 9 km/h wind | 20°C · 13.0h daylight · 21 km/h wind · via Hunan Museum |
|---|
| Focus | Landscape project | 20 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Hunan Museum
- Bass Museum
- The Museum of Modern Art, Gunma
- Museum of Contemporary Art, Los Angeles
|
|---|
| Typologies | | - museum
- landscape
- performance venue
- building
- gallery
- tower
- house
- office
|
|---|
| Materials | | |
|---|
| Carbon signals | Steel look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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