| Type | work | bureau |
|---|
| Year / years | 1990 | 1914 |
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| Place | Florida, Florida, United States | Rome, Lazio, Italy |
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| Place context | Epcot Resorts Boulevard, Florida, United States | Representative site: חומת הצלפים, עין כרם, ירושלים | القدس, מחוז ירושלים, ישראל |
|---|
| Climate | 30°C · 13.1h daylight · 15 km/h wind | 19°C · 13.3h daylight · 3 km/h wind · via Church of Saint John the Baptist, Ein Karem |
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| Focus | Performance venue | 11 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Church of Saint John the Baptist, Ein Karem
- Church of Bethphage
- Church of the Transfiguration
- Church of All Nations
|
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| Typologies | - performance venue
- hospitality
| - church
- sacred space
- house
- landscape
- education
- temple
- chapel
|
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| Materials | | |
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| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Stone look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 10 of 10 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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