| Type | work | bureau |
|---|
| Year / years | 2018 | 1883 |
|---|
| Place | Vilnius, Vilnius County, Lithuania | Barcelona, Catalonia, Spain |
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| Place context | Vilnius, Vilnius County, Lithuania | Representative site: Dreta de l'Eixample, Dreta de l'Eixample, Spain |
|---|
| Climate | 9°C · 14.5h daylight · 13 km/h wind | 20°C · 13.5h daylight · 5 km/h wind · via Casa Batlló |
|---|
| Focus | Museum | 18 works in corpus |
|---|
| Architects | - Daniel Libeskind
- Daniel Libeskind
| |
|---|
| Linked context | Bureaus | Notable works - Casa Batlló
- El Capricho
- Güell Pavilions
- Episcopal Palace, Astorga
|
|---|
| Typologies | - museum
- modern art museum
- cultural building
| - house
- pavilion
- building
- museum
- landscape
- education
- church
- sacred space
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete and Glass look like the main embodied-carbon drivers in the current palette. | house, pavilion, building, and museum gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 5 of 5 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|