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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Des Moines Art Center in Des Moines, United States
Des Moines Art Center

1948 · Des Moines, Des Moines, United States

Des Moines Art Center image

Art museum in Des Moines, Iowa

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Des Moines Art Center

Des Moines, Des Moines, United States · Exact work coordinates

OpenStreetMap
Field
Des Moines Art CenterDes Moines Art Center

1948 · Des Moines, Des Moines, United States

Antoni GaudiAntoni Gaudi

1883 · Barcelona, Catalonia, Spain

Typeworkbureau
Year / years19481883
PlaceDes Moines, Des Moines, United StatesBarcelona, Catalonia, Spain
Place contextDes Moines, Des Moines, United StatesRepresentative site: Dreta de l'Eixample, Dreta de l'Eixample, Spain
Climate2°C · 13.6h daylight · 6 km/h wind22°C · 13.5h daylight · 9 km/h wind · via Casa Batlló
FocusMuseum18 works in corpus
Architects
  • Richard Meier
  • Antoni Gaudi
Linked context

Bureaus

  • Richard Meier & Partners Architects

Notable works

  • Casa Batlló
  • El Capricho
  • Güell Pavilions
  • Episcopal Palace, Astorga
Typologies
  • museum
  • house
  • pavilion
  • building
  • museum
  • landscape
  • education
  • church
  • sacred space
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

museum gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

house, pavilion, building, and museum gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible5 of 5 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.