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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

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Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Andrea PalladioAndrea Palladio

1540 · Vicenza, Veneto, Italy

Typeworkbureau
Year / years19301540
PlaceMontevideo, Montevideo Department, UruguayVicenza, Veneto, Italy
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Venice, Venice, Holy Roman Empire
Climate19°C · 11.0h daylight · 12 km/h wind15°C · 13.8h daylight · 9 km/h wind · via San Giorgio Monastery
FocusHouse museum59 works in corpus
Architects
  • Julio Vilamajo
  • Andrea Palladio
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • San Giorgio Monastery
  • Monte Berico
  • San Francesco della Vigna
  • Palazzo Thiene
Typologies
  • house
  • museum
  • residence
  • church
  • sacred space
  • building
  • museum
  • housing
  • house
  • chapel
  • cathedral
Materials
  • masonry
  • stucco
  • timber
  • stone
  • timber
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible18 of 18 recorded works are publicly accessible
Related books

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