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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

One Charles Center in Baltimore, United States
One Charles Center

1962 · Baltimore, Baltimore, United States

One Charles Center image

Building by Ludwig Mies van der Rohe

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

One Charles Center

Baltimore, Baltimore, United States · Exact work coordinates

OpenStreetMap
Field
One Charles CenterOne Charles Center

1962 · Baltimore, Baltimore, United States

Andrea PalladioAndrea Palladio

1540 · Vicenza, Veneto, Italy

Typeworkbureau
Year / years19621540
PlaceBaltimore, Baltimore, United StatesVicenza, Veneto, Italy
Place contextBaltimore, Baltimore, United StatesRepresentative site: Venice, Venice, Holy Roman Empire
Climate11°C · 13.5h daylight · 23 km/h wind18°C · 13.8h daylight · 15 km/h wind · via San Giorgio Monastery
FocusOffice building59 works in corpus
Architects
  • Ludwig Mies van der Rohe
  • Andrea Palladio
Linked context

Bureaus

  • Mies van der Rohe

Notable works

  • San Giorgio Monastery
  • Monte Berico
  • San Francesco della Vigna
  • Palazzo Thiene
Typologies
  • tower
  • office
  • church
  • sacred space
  • building
  • museum
  • housing
  • house
  • chapel
  • cathedral
Materials
  • concrete
  • glass
  • stone
  • timber
Carbon signals

Concrete and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityAccess not recorded18 of 18 recorded works are publicly accessible
Related books

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