| Type | work | bureau |
|---|
| Year / years | 1951 | 1540 |
|---|
| Place | Sao Paulo, Brazil | Vicenza, Veneto, Italy |
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| Place context | Rua General Américo de Moura, Morumbi, São Paulo, São Paulo, Brasil | Representative site: Viale Dieci Giugno, Vicenza, Veneto, Italia |
|---|
| Climate | 23°C · 11.6h daylight · 7 km/h wind | 15°C · 13.5h daylight · 8 km/h wind · via Monte Berico |
|---|
| Focus | House | 12 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Monte Berico
- Basilica Palladiana
- Palazzo Chiericati
- Palazzo Porto, Vicenza
|
|---|
| Typologies | | - church
- sacred space
- building
- chapel
- cathedral
- museum
- gallery
- house
|
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| Materials | | |
|---|
| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 5 of 5 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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