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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

William G. Davis Building in Mississauga, Canada
William G. Davis Building

1973 · Mississauga, Mississauga, Canada

William G. Davis Building image

Building on the University of Toronto Mississauga campus

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

William G. Davis Building

Mississauga, Mississauga, Canada · Exact work coordinates

OpenStreetMap

William G. Davis Building

Hero image

Building on the University of Toronto Mississauga campus

Credit:

Rights: Unknown · unknown

Field
William G. Davis BuildingWilliam G. Davis Building

1973 · Mississauga, Mississauga, Canada

Álvaro SizaÁlvaro Siza

1954 · Porto, Porto District, Portugal

Typeworkbureau
Year / years19731954
PlaceMississauga, Mississauga, CanadaPorto, Porto District, Portugal
Place contextMississauga, Mississauga, CanadaRepresentative site: Matosinhos e Leça da Palmeira, Matosinhos e Leça da Palmeira, Portugal
ClimateClimate unavailableClimate unavailable · via Tidal pools of Leça de Palmeira
FocusEducation building4 works in corpus
Architects
  • Raymond Moriyama
  • Álvaro Siza Vieira
Linked context

Bureaus

  • Moriyama Teshima Architects

Notable works

  • Tidal pools of Leça de Palmeira
  • Pavilhão de Portugal
  • Atelier-Museu Júlio Pomar
  • Casa de Chá da Boa Nova
Typologies
  • education
  • campus building
  • building
  • museum
  • house
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

education and campus building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

building, museum, and house gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityAccess not recorded1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.