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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

The Class of 1959 Chapel in Massachusetts, United States
The Class of 1959 Chapel

1992 · Massachusetts, Massachusetts, United States

The Class of 1959 Chapel image

Chapel at Harvard Business School in Boston, Massachusetts, US

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

The Class of 1959 Chapel

Massachusetts, Massachusetts, United States · Exact work coordinates

OpenStreetMap

The Class of 1959 Chapel

Hero image

Chapel at Harvard Business School in Boston, Massachusetts, US

Credit:

Rights: Unknown · unknown

Field
The Class of 1959 ChapelThe Class of 1959 Chapel

1992 · Massachusetts, Massachusetts, United States

Álvaro SizaÁlvaro Siza

1954 · Porto, Porto District, Portugal

Typeworkbureau
Year / years19921954
PlaceMassachusetts, Massachusetts, United StatesPorto, Porto District, Portugal
Place contextMassachusetts, Massachusetts, United StatesRepresentative site: Matosinhos e Leça da Palmeira, Matosinhos e Leça da Palmeira, Portugal
Climate2°C · 13.6h daylight · 11 km/h wind11°C · 13.5h daylight · 3 km/h wind · via Tidal pools of Leça de Palmeira
FocusEducation building4 works in corpus
Architects
  • Moshe Safdie
  • Álvaro Siza Vieira
Linked context

Bureaus

  • Safdie Architects

Notable works

  • Tidal pools of Leça de Palmeira
  • Pavilhão de Portugal
  • Atelier-Museu Júlio Pomar
  • Casa de Chá da Boa Nova
Typologies
  • education
  • campus building
  • chapel
  • sacred space
  • building
  • museum
  • house
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

education, campus building, chapel, and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

building, museum, and house gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.