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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Tenshin Memorial Museum of Art, Ibaraki

1997 · Kitaibaraki City, Kitaibaraki City, Japan

Kitaibaraki City, Kitaibaraki City, Japan

13°C · 13.3h daylight · 12 km/h wind

Site spread

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Tenshin Memorial Museum of Art, Ibaraki

Kitaibaraki City, Kitaibaraki City, Japan · Exact work coordinates

OpenStreetMap

Tenshin Memorial Museum of Art, Ibaraki

Image 1

Kitaibaraki City, Kitaibaraki City, Japan

Climate: 13°C · 13.3h daylight · 12 km/h wind

Mapping: Exact work coordinates

Field
Tenshin Memorial Museum of Art, Ibaraki

1997 · Kitaibaraki City, Kitaibaraki City, Japan

Álvaro SizaÁlvaro Siza

1954 · Porto, Porto District, Portugal

Typeworkbureau
Year / years19971954
PlaceKitaibaraki City, Kitaibaraki City, JapanPorto, Porto District, Portugal
Place contextKitaibaraki City, Kitaibaraki City, JapanRepresentative site: Matosinhos e Leça da Palmeira, Matosinhos e Leça da Palmeira, Portugal
Climate13°C · 13.3h daylight · 12 km/h wind11°C · 13.5h daylight · 2 km/h wind · via Tidal pools of Leça de Palmeira
FocusMuseum4 works in corpus
Architects
  • Hiroshi Naito
  • Álvaro Siza Vieira
Linked context

Bureaus

  • Hiroshi Naito Architect & Associates

Notable works

  • Tidal pools of Leça de Palmeira
  • Pavilhão de Portugal
  • Atelier-Museu Júlio Pomar
  • Casa de Chá da Boa Nova
Typologies
  • museum
  • memorial
  • building
  • museum
  • house
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

museum and memorial gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

building, museum, and house gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

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No linked books yet.