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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Basilica of Our Lady of Guadalupe in Gustavo A. Madero, Mexico
Basilica of Our Lady of Guadalupe

1974 · Gustavo A. Madero, Gustavo A. Madero, Mexico

Basilica of Our Lady of Guadalupe image

Church in Mexico City

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Basilica of Our Lady of Guadalupe

Gustavo A. Madero, Gustavo A. Madero, Mexico · Exact work coordinates

OpenStreetMap
Field
Basilica of Our Lady of GuadalupeBasilica of Our Lady of Guadalupe

1974 · Gustavo A. Madero, Gustavo A. Madero, Mexico

Álvaro SizaÁlvaro Siza

1954 · Porto, Porto District, Portugal

Typeworkbureau
Year / years19741954
PlaceGustavo A. Madero, Gustavo A. Madero, MexicoPorto, Porto District, Portugal
Place contextGustavo A. Madero, Gustavo A. Madero, MexicoRepresentative site: Matosinhos e Leça da Palmeira, Matosinhos e Leça da Palmeira, Portugal
Climate26°C · 12.7h daylight · 14 km/h wind11°C · 13.5h daylight · 2 km/h wind · via Tidal pools of Leça de Palmeira
FocusSacred building4 works in corpus
Architects
  • Pedro Ramirez Vazquez
  • Álvaro Siza Vieira
Linked context

Bureaus

  • Pedro Ramírez Vázquez

Notable works

  • Tidal pools of Leça de Palmeira
  • Pavilhão de Portugal
  • Atelier-Museu Júlio Pomar
  • Casa de Chá da Boa Nova
Typologies
  • church
  • sacred space
  • building
  • museum
  • house
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

church and sacred space gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

building, museum, and house gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.