| Type | work | bureau |
|---|
| Year / years | 2012 | 1905 |
|---|
| Place | Cuernavaca, Morelos, Mexico | Lausanne, Vaud, Switzerland |
|---|
| Place context | Cuernavaca, Morelos, Mexico | Representative site: Lausanne, Lausanne, Switzerland |
|---|
| Climate | 28°C · 12.7h daylight · 10 km/h wind | 12°C · 13.9h daylight · 22 km/h wind · via Lausanne railway station |
|---|
| Focus | Art space | 2 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Lausanne railway station
- Reformation Wall
|
|---|
| Typologies | - museum
- art center
- adaptive reuse
| |
|---|
| Materials | - concrete
- masonry
- painted surfaces
| Not recorded yet. |
|---|
| Carbon signals | Concrete, Brick, and Painted Surfaces look like the main embodied-carbon drivers in the current palette. - Concrete
- Brick
- Painted Surfaces
| building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | Access not recorded across linked works |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|