| Type | work | bureau |
|---|
| Year / years | 1973 | 1962 |
|---|
| Place | Sydney, New South Wales, Australia | Milan, Lombardy, Italy |
|---|
| Place context | Sydney, New South Wales, Australia | Representative site: Maastricht, Maastricht, Netherlands |
|---|
| Climate | 9°C · 11.1h daylight · 4 km/h wind | 12°C · 14.1h daylight · 17 km/h wind · via Bonnefantenmuseum |
|---|
| Focus | opera house | 3 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Jørn Utzon
- Utzon Arkitekter
| Notable works - Bonnefantenmuseum
- Monte Amiata Housing
- Centro Direzionale di Fontivegge
|
|---|
| Typologies | - cultural
- theaters performance
- opera house
- cultural center
- kim utzon
| |
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete and Steel look like the main embodied-carbon drivers in the current palette. | museum and housing gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| No levers surfaced yet. |
|---|
| Accessibility | Access not recorded | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|