| Type | work | bureau |
|---|
| Year / years | 1990 | 2009 |
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| Place | Florida, Florida, United States | London, England, United Kingdom |
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| Place context | Florida, Florida, United States | Representative site: Lisbon, Lisbon, Portugal |
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| Climate | Climate unavailable | Climate unavailable · via Museum of Art, Architecture and Technology |
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| Focus | Performance venue | 1 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - Museum of Art, Architecture and Technology
|
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| Typologies | - performance venue
- hospitality
| - museum
- cultural building
- riverfront building
|
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| Materials | | - ceramic tile
- concrete
- glass
|
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| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete, Ceramic Tile, and Glass look like the main embodied-carbon drivers in the current palette. - Concrete
- Ceramic Tile
- Glass
|
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| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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