| Type | work | bureau |
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| Year / years | 2017 | 2009 |
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| Place | Hamburg, Hamburg, Germany | London, England, United Kingdom |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Lisbon, Lisbon, Portugal |
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| Climate | 6°C · 14.4h daylight · 13 km/h wind | 14°C · 13.4h daylight · 3 km/h wind · via Museum of Art, Architecture and Technology |
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| Focus | Concert hall | 1 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
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| Linked context | Bureaus | Notable works - Museum of Art, Architecture and Technology
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - museum
- cultural building
- riverfront building
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| Materials | | - ceramic tile
- concrete
- glass
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete, Ceramic Tile, and Glass look like the main embodied-carbon drivers in the current palette. - Concrete
- Ceramic Tile
- Glass
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
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| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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