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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Toba Sea-Folk Museum in Toba, Japan
Toba Sea-Folk Museum

Unknown · Toba, Toba, Japan

Toba Sea-Folk Museum image

Fishing museum in Toba, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Toba Sea-Folk Museum

Toba, Toba, Japan · Exact work coordinates

OpenStreetMap
Field
Toba Sea-Folk MuseumToba Sea-Folk Museum

Unknown · Toba, Toba, Japan

Adjaye AssociatesAdjaye Associates

2000 · London, England, United Kingdom

Typeworkbureau
Year / yearsUnknown2000
PlaceToba, Toba, JapanLondon, England, United Kingdom
Place context阿児磯部鳥羽線, 鳥羽市, 日本Representative site: West 125th Street, Manhattan, Manhattan Community Board 10, New York, New York, United States
Climate15°C · 13.2h daylight · 8 km/h wind6°C · 13.5h daylight · 18 km/h wind · via Studio Museum in Harlem
FocusMuseum9 works in corpus
Architects
  • Hiroshi Naito
  • David Adjaye
Linked context

Bureaus

  • Hiroshi Naito Architect & Associates

Notable works

  • Studio Museum in Harlem
  • Nobel Peace Center
  • Rivington Place
  • Sunken House
Typologies
  • museum
  • museum
  • civic building
  • building
  • house
  • campus building
  • memorial
  • pavilion
  • housing
Materials
  • timber
  • stone
Carbon signals

The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.