| Type | work | bureau |
|---|
| Year / years | 1973 | 2000 |
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| Place | Sydney, New South Wales, Australia | London, England, United Kingdom |
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| Place context | George Street, Sydney, Quay Quarter, Sydney, New South Wales, Australia | Representative site: West 125th Street, Manhattan, Manhattan Community Board 10, New York, New York, United States |
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| Climate | 15°C · 10.9h daylight · 6 km/h wind | 8°C · 13.7h daylight · 10 km/h wind · via Studio Museum in Harlem |
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| Focus | opera house | 9 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Jørn Utzon
- Utzon Arkitekter
| Notable works - Studio Museum in Harlem
- Nobel Peace Center
- Rivington Place
- Sunken House
|
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| Typologies | - cultural
- theaters performance
- opera house
- cultural center
- kim utzon
| - museum
- civic building
- building
- house
- campus building
- memorial
- pavilion
- housing
|
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| Materials | | |
|---|
| Carbon signals | Concrete and Steel look like the main embodied-carbon drivers in the current palette. | Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Access not recorded | 4 of 4 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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