| Type | work | bureau |
|---|
| Year / years | 1984 | 2000 |
|---|
| Place | Greater Sudbury, Greater Sudbury, Canada | London, England, United Kingdom |
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| Place context | Greater Sudbury, Greater Sudbury, Canada | Representative site: Manhattan, Manhattan, United States |
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| Climate | 10°C · 13.7h daylight · 8 km/h wind | 24°C · 13.4h daylight · 11 km/h wind · via Studio Museum in Harlem |
|---|
| Focus | Museum | 9 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Moriyama Teshima Architects
| Notable works - Studio Museum in Harlem
- Nobel Peace Center
- Rivington Place
- Sunken House
|
|---|
| Typologies | | - museum
- civic building
- building
- house
- campus building
- memorial
- pavilion
- housing
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum and performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
|---|
| Accessibility | Publicly accessible | 4 of 4 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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