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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

MAXXI in Roma Capitale, Italy
MAXXI

2010 · Rome, Lazio, Italy

MAXXI image

Museum in Rome, Italy

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

MAXXI

Rome, Lazio, Italy · City-level coordinates only

OpenStreetMap
Field
MAXXIMAXXI

2010 · Rome, Lazio, Italy

Adjaye AssociatesAdjaye Associates

2000 · London, England, United Kingdom

Typeworkbureau
Year / years20102000
PlaceRome, Lazio, ItalyLondon, England, United Kingdom
Place contextRome, Lazio, ItalyRepresentative site: Manhattan, Manhattan, United States
Climate15°C · 13.6h daylight · 3 km/h wind4°C · 13.5h daylight · 14 km/h wind · via Studio Museum in Harlem
FocusMuseum9 works in corpus
Architects
  • Zaha Hadid
  • David Adjaye
Linked context

Bureaus

  • Zaha Hadid Architects

Notable works

  • Studio Museum in Harlem
  • Nobel Peace Center
  • Rivington Place
  • Sunken House
Typologies
  • museum
  • contemporary art museum
  • cultural building
  • museum
  • civic building
  • building
  • house
  • campus building
  • memorial
  • pavilion
  • housing
Materials
  • concrete
  • glass
  • steel
  • stone
Carbon signals

Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Steel
  • Glass

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.