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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Ken Domon Museum of Photography in Sakata, Japan
Ken Domon Museum of Photography

1983 · Sakata, Sakata, Japan

Ken Domon Museum of Photography image

Photographic art museum in Sakata, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Ken Domon Museum of Photography

Sakata, Sakata, Japan · Exact work coordinates

OpenStreetMap
Field
Ken Domon Museum of PhotographyKen Domon Museum of Photography

1983 · Sakata, Sakata, Japan

Adjaye AssociatesAdjaye Associates

2000 · London, England, United Kingdom

Typeworkbureau
Year / years19832000
PlaceSakata, Sakata, JapanLondon, England, United Kingdom
Place contextSakata, Sakata, JapanRepresentative site: Manhattan, Manhattan, United States
Climate15°C · 13.4h daylight · 15 km/h wind8°C · 13.5h daylight · 9 km/h wind · via Studio Museum in Harlem
FocusMuseum9 works in corpus
Architects
  • Yoshio Taniguchi
  • David Adjaye
Linked context

Bureaus

  • Yoshio Taniguchi and Associates

Notable works

  • Studio Museum in Harlem
  • Nobel Peace Center
  • Rivington Place
  • Sunken House
Typologies
  • museum
  • museum
  • civic building
  • building
  • house
  • campus building
  • memorial
  • pavilion
  • housing
Materials

Not recorded yet.

  • stone
Carbon signals

museum gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.