| Type | work | bureau |
|---|
| Year / years | 1987-1993 | 2000 |
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| Place | Porto, Porto District, Portugal | London, England, United Kingdom |
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| Place context | Porto, Porto District, Portugal | Representative site: Manhattan, Manhattan, United States |
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| Climate | 11°C · 13.5h daylight · 4 km/h wind | 4°C · 13.5h daylight · 3 km/h wind · via Studio Museum in Harlem |
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| Focus | Architecture school | 9 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Studio Museum in Harlem
- Nobel Peace Center
- Rivington Place
- Sunken House
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| Typologies | - education
- school
- campus building
| - museum
- civic building
- building
- house
- campus building
- memorial
- pavilion
- housing
|
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| Materials | | |
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| Carbon signals | Concrete, Glass, and Stucco look like the main embodied-carbon drivers in the current palette. | Stone look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Use classification and product-level EPD research to place this material more precisely.
| - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 4 of 4 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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