| Type | work | bureau |
|---|
| Year / years | 1958-1963 | 2000 |
|---|
| Place | Matosinhos, Porto District, Portugal | London, England, United Kingdom |
|---|
| Place context | Matosinhos, Porto District, Portugal | Representative site: Manhattan, Manhattan, United States |
|---|
| Climate | Climate unavailable | Climate unavailable · via Studio Museum in Harlem |
|---|
| Focus | Tea house and restaurant | 9 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Studio Museum in Harlem
- Nobel Peace Center
- Rivington Place
- Sunken House
|
|---|
| Typologies | - hospitality
- coastal building
- restaurant
| - museum
- civic building
- building
- house
- campus building
- memorial
- pavilion
- housing
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete and Glass look like the main embodied-carbon drivers in the current palette. | Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
|---|
| Accessibility | Publicly accessible | 4 of 4 recorded works are publicly accessible |
|---|
| Related books | | No linked books yet. |
|---|