saved.archi

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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Tenshin Memorial Museum of Art, Ibaraki

1997 · Kitaibaraki City, Kitaibaraki City, Japan

Kitaibaraki City, Kitaibaraki City, Japan

11°C · 13.3h daylight · 12 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Tenshin Memorial Museum of Art, Ibaraki

Kitaibaraki City, Kitaibaraki City, Japan · Exact work coordinates

OpenStreetMap

Tenshin Memorial Museum of Art, Ibaraki

Image 1

Kitaibaraki City, Kitaibaraki City, Japan

Climate: 11°C · 13.3h daylight · 12 km/h wind

Mapping: Exact work coordinates

Field
Tenshin Memorial Museum of Art, Ibaraki

1997 · Kitaibaraki City, Kitaibaraki City, Japan

Adamo BoariAdamo Boari

1898 · Mexico City, Mexico City, Mexico

Typeworkbureau
Year / years19971898
PlaceKitaibaraki City, Kitaibaraki City, JapanMexico City, Mexico City, Mexico
Place contextKitaibaraki City, Kitaibaraki City, JapanRepresentative site: Cuauhtémoc, Cuauhtémoc, Mexico
Climate11°C · 13.3h daylight · 12 km/h wind25°C · 12.7h daylight · 11 km/h wind · via Palacio de Bellas Artes
FocusMuseum2 works in corpus
Architects
  • Hiroshi Naito
  • Adamo Boari
Linked context

Bureaus

  • Hiroshi Naito Architect & Associates

Notable works

  • Palacio de Bellas Artes
  • Palacio de Correos de México
Typologies
  • museum
  • memorial
  • cathedral
  • sacred space
  • landscape
  • office
Materials

Not recorded yet.

Not recorded yet.

Carbon signals

museum and memorial gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

cathedral, sacred space, landscape, and office gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.